things

13th September 2014

Photo reblogged from happiness is figurative with 96,041 notes

Source: c-asurus

13th September 2014

Photo reblogged from LoopdeLoop with 2,750 notes

loopdeloop-blog:

ca-tsuka:

Childhood Classics by Chris O’Hara.

Chris O’Hara creates a never ending loop of childhood joy for our Nickelodeon sponsored theme, CHILDHOOD. Who’s your fave? Watch it in full with audio here.

loopdeloop-blog:

ca-tsuka:

Childhood Classics by Chris O’Hara.

Chris O’Hara creates a never ending loop of childhood joy for our Nickelodeon sponsored theme, CHILDHOOD. Who’s your fave? Watch it in full with audio here.

Source: ca-tsuka

13th September 2014

Photo reblogged from Some of the Finer Things with 17,889 notes

e4rthy:

Night in the City by Blue Fairlane

e4rthy:

Night in the City by Blue Fairlane

Source: e4rthy

13th September 2014

Photo reblogged from Cinephilia and Beyond with 1,464 notes

cinephiliabeyond:

Cinematographer Bryan Loftus (The Company Of Wolves, Siesta) talks with TV Store Online’s Justin Bozung about getting his start with Stanley Kubrick on Dr. Strangelove (1964) and 2001: A Space Odyssey (1968).

Stanley would come in and say, “Try it again. Do it again.” Then they would either do it or they would forget to do it. If you forgot to do it, then he would get annoyed. So he developed this memo system where if he needed you to do something he would send you a memo. Then if you forgot to do something he woulds say, “Didn’t you get the memo?” People started telling him, “I’m sorry Stanley, I did not receive that memo.” So Stanley created a new system where if he had sent you a memo you had to write a memo back to him confirming that you received his first memo! It was extraordinary. Everyone was typing memos. It got out of hand to a certain extent. He was so wonderful at devising systems like that on the spot. He employed three girls to type memos for him while we were shooting 2001.

When handheld tape recorders first came out, Stanley got a hold of two of them while we were shooting the film. I remember one day while we were in the rushes theater, he had one recorder in his left hand, and the other in his right. He would speak into one recorder, and then play it back while recording it with the other. I saw him doing this and I said, “What the hell is he up to now?” What he wanted to know what how many times he could record backwards and forwards before the audio became unintelligible. That was typical Stanley. He always had to push technology to realize its limitations. —2001: A Space Odyssey Interview Series: Bryan Loftus

Complete digitization of 1999 Les Inrocks magazine, “KUBRICK: L’Odyssee D’un Solitaire.” What a goldmine! [H/T Larry Wright]














For more film related items throughout the day, follow Cinephilia & Beyond on Twitter. Get Cinephilia & Beyond in your inbox by signing in. You can also follow our RSS feed. Please use our Google Custom Search for better results. If you enjoy Cinephilia & Beyond, please consider making a small donation to keep it going.

cinephiliabeyond:

Cinematographer Bryan Loftus (The Company Of Wolves, Siesta) talks with TV Store Online’s Justin Bozung about getting his start with Stanley Kubrick on Dr. Strangelove (1964) and 2001: A Space Odyssey (1968).

Stanley would come in and say, “Try it again. Do it again.” Then they would either do it or they would forget to do it. If you forgot to do it, then he would get annoyed. So he developed this memo system where if he needed you to do something he would send you a memo. Then if you forgot to do something he woulds say, “Didn’t you get the memo?” People started telling him, “I’m sorry Stanley, I did not receive that memo.” So Stanley created a new system where if he had sent you a memo you had to write a memo back to him confirming that you received his first memo! It was extraordinary. Everyone was typing memos. It got out of hand to a certain extent. He was so wonderful at devising systems like that on the spot. He employed three girls to type memos for him while we were shooting 2001.

When handheld tape recorders first came out, Stanley got a hold of two of them while we were shooting the film. I remember one day while we were in the rushes theater, he had one recorder in his left hand, and the other in his right. He would speak into one recorder, and then play it back while recording it with the other. I saw him doing this and I said, “What the hell is he up to now?” What he wanted to know what how many times he could record backwards and forwards before the audio became unintelligible. That was typical Stanley. He always had to push technology to realize its limitations. 2001: A Space Odyssey Interview Series: Bryan Loftus

Complete digitization of 1999 Les Inrocks magazine, “KUBRICK: L’Odyssee D’un Solitaire.” What a goldmine! [H/T Larry Wright]

For more film related items throughout the day, follow Cinephilia & Beyond on Twitter. Get Cinephilia & Beyond in your inbox by signing in. You can also follow our RSS feed. Please use our Google Custom Search for better results. If you enjoy Cinephilia & Beyond, please consider making a small donation to keep it going.

13th September 2014

Photo reblogged from Le Silence Surprend with 4 notes

chdd:

Victoria Sambunaris http://ift.tt/1qwgkbd

chdd:

Victoria Sambunaris http://ift.tt/1qwgkbd

13th September 2014

Photo reblogged from Architecture of Doom with 423 notes

fuckyeahplattenbau:

Novosibirsk, Siberia

fuckyeahplattenbau:

Novosibirsk, Siberia

Source: fuckyeahplattenbau

13th September 2014

Photo reblogged from this isn't happiness. with 3,026 notes

nevver:

Brooklyn

nevver:

Brooklyn

Source: behance.net

13th September 2014

Photoset reblogged from this isn't happiness. with 3,513 notes

nevver:

Reflections, Richard Combes

13th September 2014

Photo reblogged from this isn't happiness. with 1,552 notes

nevver:

This way

nevver:

This way

13th September 2014

Photoset reblogged from this isn't happiness. with 2,302 notes

nevver:

The edge of summer, Andrea Colombo